Photography Competition: World Oceans Day 2022

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CALL FOR ENTRIES

In 2008, the United Nations General Assembly decided that, as from 2009, June 8th would be designated by the United Nations as “World Oceans Day.” We recognize that our oceans are essential to securing food and survival of all life on planet Earth. They power our climate and they are a critical part of the biosphere. Even when people all around the world are dealing with the unprecedented measures to suppress the COVID-19 pandemic, our oceans are still taking care of us!

World Oceans Day encourages you to make a difference in your life, in your community, and in the world by taking action to protect our ocean—for present and future generations. Despite the huge challenges facing the world’s oceans such as plastic pollution, overfishing and climate change, by working together we can achieve a healthier ocean that will provide for the billions of humans, plants and animals which depend on it every day.

From Ellen Cuylaerts, UN World Oceans Day Photo Competition Curator:

This is a call-out to all image-makers to enter the ninth edition of the United Nations World Oceans Day Photo Competition. Who could have imagined two years ago that many parts of the world would still be experiencing restrictions in addition to economical and political instability? Many of us are longing for an ocean escape, encounters that make us feel alive, humbling experiences we might cherish more than before. The challenging times we live in are affecting all of us, and getting lost in inspiring images can bring the calming effect of immersion in the big blue. Enter your images and share them with the world to inspire people to make a difference, take collective action for the oceans, and contribute to conservation and preservation of the oceans that bring us life!

The 2022 edition brings six categories and four judges. For this year’s UN World Oceans Theme, ‘Revitalization, Collective Action for the Ocean,’ we are looking for a set of three images capturing hope and collaboration. The other categories are wide open to the photographer’s interpretation and artistic view.

We are asking every participant to agree to our charter of ethics in underwater photography established in 2020 (see below), inviting photographers not just to enjoy the oceans but to lead by example and be true ocean ambassadors.

THE CONTEST

Photography is a powerful medium to convey a feeling or a message. This open and free photo competition seeks to inspire the creation of imagery capturing the beauty, the challenges and the importance of the ocean and humankind’s relation to it, hoping to contribute to actions to preserve this vital resource.

The photo competition has six thematic categories open for submissions:

^NEWRevitalization
Above Water Seascapes
Underwater Seascapes
^NEWNature-Based Solutions & Ocean Exploration
^NEWOcean Critters
^NEWCoastal Communities

Winning images will be recognized at the United Nations on June 8th during the United Nations’ event marking World Oceans Day 2022. Recognition and diffusion of the winning images and finalists will be widely exposed throughout the contest websites, the media and the informational materials related to subsequent competitions. Winning photos have been printed for exhibitions around the world.

Entries must be submitted electronically in accordance with the contest guidelines and subject to the contest rules.

All entries must be submitted by April 15th, 2022 at 12 midnight Eastern Standard Time (EST).

ENTER CONTEST

CONTEST RULES

General Rules

The contest is open to entrants of all skill levels.
Photo contest staff and judges are not allowed to enter the contest.
Winners will be announced on Wednesday, June 8th, 2022 in New York, during a hybrid UN World Oceans Day event, hosted by Oceanic Global as strategic partner for the day, and published on www.unworldoceansday.org shortly afterwards.
Entries may have been taken from any camera, digital or film (as scanned slides).

Conservation rules will be strictly observed. Flora and fauna should never be stressed or endangered for the sake of a photo. Entries suspected of involving the following behavior will be disqualified:
- Photographers visibly damaging the environment (e.g., gear dragging or kicking up sand, divers exhibiting poor buoyancy control)
- Animals with signs of stress (e.g., puffed puffers, inking octopus)
- Animals moved to an unnatural environment or risky location
- Marine life being touched or placed (e.g., nudibranchs, coral polyps, seahorse tails)
Entrants will be obliged to agree to the following charter:

CHARTER OF ETHICS FOR PARTICIPANTS

United Nations World Oceans Day Photo Competition

I, working in the underwater realm, commit myself to the following code of ethics and bringing education and awareness around my encounters, to help preserve our oceans and blue planet!

I will use my skills and ability as an image maker to attempt to faithfully reproduce the beauty, splendor and majesty of the underwater world and by doing so, to encourage other to become engaged in protecting it.
I will use my skills and ability as an image maker to attempt to faithfully reproduce the beauty, splendor and majesty of the underwater world and by so doing, encourage others to become engaged in protecting it.
I will use my skills and my voice in documenting the challenges the oceans face to raise awareness and as a call to action.
I will not stress or endanger subjects (fauna and flora) for the sake of an image. If the position of the subject is not contributing to a good image, I will either just document or observe. I will not manipulate or move subjects to an unnatural environment, not by touching nor by provocation.
I will work locally if applicable and contribute time to document and tell stories in support of local conservation initiatives.
I will consider the impact my image has once it gets distributed without the right context and withhold images that can spark sensationalism and wrong practices.
I will research my subjects before attempting to take images or footage of them, hence being aware of their behavior in the water and my reaction to them. This will create an awareness needed to keep the subjects and myself safe in the water. I realize by not understanding my subject I can unwillingly provoke a potentially dangerous situation in the water, thereby potentially creating a media backlash that disadvantages the subject (cf. sharks in the media).
I will practice what I preach! For example, in the fight against single-use plastic, I will use my reusable water bottle, hot drinks container, and so on. When attending events, I will share my concerns and ideas and will try to inspire not by pointing fingers but by giving the right example myself. I will not accuse nor name and shame but graciously lead by example to inspire others to do the same.
I will inform myself and people around me about sustainable food and better consumption choices, but will do that in a respectful and polite way.
I will create a rational dialogue with those that want to learn, talk at schools and inspire the next generations.
I will commit to negotiating a fair price when my images are used for commercial purposes. This will allow me and future image makers to create images with an impact to show the world and tell important stories.
I will contribute images or video/film to United Nations World Oceans Day communication activities and will take part in promoting the UN WOD Photo Competition.
Where I can, I will participate in UN World Oceans Day events and spread the word on social media #unworldoceansday. I will also help building the UN WOD movement during the whole year and will direct people to the portal site to share events, resources and content.
I will contribute to the UN World Oceans Day ripple effect in everything I do and understand that actions speak louder than words.
I will commit to dialogue and looking for constructive solutions when challenged and understand the power of compromise and diplomacy to obtain a common goal in conservation.

Images that have won or placed in photo contests with winning entries announced before March 1st, 2022 may not be submitted. Any single image that was part of a portfolio, but did not place as a single image, is eligible to be entered. A winning image is defined as follows:
- Any image that has placed 1st, 2nd, or 3rd in a major photography contest (to be determined subjectively by judges)
- Any image that has placed 1st, 2nd or 3rd in any photo of the year-type contest. Photos of the day, week, or month are eligible
Photographers retain all copyrights to their images. The organizers of World Oceans Day Photo Contest retain the right to publish the contest entries in any format to congratulate or feature the winners and their respective images, and to promote future World Oceans Day events, as well as for awareness-raising purposes for the work of the United Nations Division for Ocean Affairs and the Law of the Sea. Winning images will be included in a press release for third party websites and publications in the context of congratulating and/or featuring the winners and winning images, and to promote future World Oceans Day events. Winning images can be used by the Division for Ocean Affairs and the Law of the Sea, Office of Legal Affairs of the United Nations and their partners to promote awareness, preservation and conservation. Strict guidelines requiring photo credit and specific one-time press release usage are issued along with the press release.
Note on photo manipulation: Post-processing images is allowed. This includes global adjustments to exposure, contrast, burning, dodging, cropping, sharpening, noise reduction, and tone. Minor cleaning of images is permitted, including the removal of backscatter, dust and scratches. HDR, panoramas, focus stacking or other techniques that involve using multiple images taken at the same time and place are also allowed.Adding, removing or moving animals, people, plants or other objects is not allowed. For example, moving a fish, removing a reef element or adding a glow to a divers torch is not acceptable.While digital manipulation is permitted, please keep in mind this not a Photoshop competition. All images should accurately represent the subject matter and nature. Images that appear to be overly processed may be disqualified at the judges’ discretion.

Photo Submission Guidelines

Entries must be saved in JPEG format and should be sized to be between 2,000 and 6,000 pixels in the longest dimension. Please limit your images to a maximum file size of 5,000KB (5MB). Images will be viewed on a large monitor and should be in the AdobeRGB 1998 or sRGB color space.
Please do not include any watermark or borders on your images. These elements will detract from the image’s impact. It’s not that we don’t want you to protect your images; it’s just hard to appreciate an image with a watermark over it. (We will keep the display of winning images consistent, and when your image is displayed, it will be clearly labeled as your image.)
The same image can only be entered into one category.

Note: Entrants should retain high-resolution and RAW files, if applicable, of their submissions. In the event your submission is selected as a finalist or winner, you will be asked to submit a high-resolution image for printing and display, and, if applicable, a RAW image to check if adjustments made to the image comply with the rules.

JUDGES

Y.Zin Kim

Y.Zin Kim is the first professional underwater photographer in Korea, known both for her technical diving skills and her underwater fashion images. She is also a respected commercial photographer in her home country and has produced work for Korean movies, TV and magazines.

The holder of various world records, Y.Zin successfully completed the world’s first sidemount trimix 101-meter depth challenge in 2015, and as a leading female CCR tech diver, she has also contributed to the production of a variety of dive training materials. Y.Zin’s work documenting the female women divers of Korea’s Jeju Island has been instrumental in showcasing haenyeo culture to the world.

Find out more about Y.Zin at www.yzinkim.com.

Shin Arunrugstichai

Sirachai “Shin” Arunrugstichai is a Thai conservation photojournalist and marine biologist who specializes in marine conservation stories. He is an Associate Fellow of the International League of Conservation Photographers and a National Geographic Explorer. His work has been published in National Geographic, Smithsonian, the Washington Post, the New York Times, and the Guardian, among others.

When he is not fortunate enough to be photographing in the field, Shin often collaborates on shark and ray research in the waters of Southeast Asia.

To find out more about Shin’s work, visit his website, www.shinsphoto.com. You can also follow him on Instagram.

Rathika Ramasamy

Rathika Ramasamy is one of India’s foremost wildlife photographers. She is passionate about birds and specializes in bird photography. In documenting birds through her images, she has developed a style that combines technical excellence with captivating storytelling. She has traveled to most of the national parks in India and Africa to document indigenous species and wildlife. Her work has been featured in several exhibitions and numerous national and international publications.

Rathika regularly conducts wildlife photography workshops and holds talks all over India. She has served on the jury panel of many national and international photography awards and contests, including the National Photography Awards, instituted by the Government of India, in 2017 and 2018. For her, wildlife photography is not only a passion, but also a powerful medium to connect people with nature and help motivate the conservation of the natural world. Rathika is a founder member of the Wildlife Conservation of India (WCI).

Find out more about Rathika and her work at www.rathikaramasamy.com.

CO-ORGANIZERS

If your organization would be interested in supporting the Annual World Oceans Day Photo Contest please contact us here.

Division for Ocean Affairs and the Law of the Sea, Office of Legal Affairs of the United Nations: Within the United Nations, the Division for Ocean Affairs and the Law of the Sea, Office of Legal Affairs, (“DOALOS”) serves as the secretariat of the United Nations Convention on the Law of the Sea (UNCLOS) and the United Nations Fish Stocks Agreement. It also assists the General Assembly of the United Nations in its policy-making role in relation to oceans and the law of the sea, among many other functions. DOALOS also assists the Under-Secretary-General for Legal Affairs and United Nations Legal Counsel in his role as Focal Point for UN-Oceans. In these capacities, DOALOS coordinates United Nations activities relating to World Oceans Day, and seeks to raise awareness about the role the United Nations and international law can play in the sustainable development and use of the oceans and their living and non-living resources.
World Ocean Network is a network of 500 members including natural history museums, aquaria, and foundations, who collectively reach an audience of 600 million individuals per year in 60 States. Through its membership, it brings together the worlds of politics, science, public administration and the media, and is in a very good position to raise awareness, inform and mobilise citizens on the issue of ocean preservation.
DivePhotoGuide (DPG) is a comprehensive underwater photography and videography resource and award-winning website for photographers and videographers of all levels. DPG has a community of over 50,000 underwater photographers and videographers from around the globe. Several times each year DPG also hosts underwater photography expeditions.
IAEA OA-ICC: The Ocean Acidification International Coordination Centre (OA-ICC) is an IAEA “Peaceful Uses Initiative” (PUI) project based at the IAEA Environment Laboratories in Monaco. The OA-ICC acts as a hub to promote and facilitate global actions on ocean acidification in three overall areas: science, capacity building and communication.

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